Traces of Light on the Thin Film of Longing
The journey proposed by Lukas Felzmann leads through impenetrable terrain and uncharted territory, through regions that will not be found on any map. People stopped living there long ago, the land lies fallow, no one counts the days. Once in Continue reading →
Tages- Anzeiger
Zürich, Wednesday, February 25. 2004 Pine Needles as Meaningful Patterns The Swiss Foundation for Photography shows Lukas Felzmann’s photo project “Landfall”, a contemporary picture story. Nadine Olonetzky Streets in a flooded terrain, the earth lies fallow Continue reading →
Neue Zürcher Zeitung
Daniele Muscionico 25. Februar 2004 Nr.46 Lukas‘ Gospel: “Landfall “, the exhibition and the book. Lukas Felzmann a photographer from Zürich reappears with an extradinory work: Landfall, a literary image journey along the seams of civilizations in the Continue reading →
Shift, Picturing the Landscape, by Maria Porges, Nov. 1988, Vol. 2/Nr. 4
Recently, a kind of startlingly poetic language has crept into the titles of exhibitions in the alternative art scene. Although this sometimes suggests a P.T. Barnum-esque exercise in seducing the art-viewing public into coming into for a look-see, these enigmatically Continue reading →
Crossing
There is something wonderfully drawn out about the process of photography. Interesting pictures do not happen in a moment as is often thought but are the result of an extended attention and receptiveness. This process shifts back and forth between Continue reading →
Lukas Felzmann — Der (unsichtbare) Mensch und die Natur
PDF-> Kunstbulletin, Review of _Gull Juju_, Winterthur by Ester Banz
Landfall Text by Lukas Felzmann
The terrain traveled in this book is the region I call home and the vast land surrounding it. West of the Bay Area lies the Pacific Ocean and the Farallon Islands, the last piece of firm ground marking the edge, Continue reading →
Fall and Desire by Peter Goin
Installation with sculptures, projection and photographs at XS Gallery, NevadaFALL and DESIRE, Lukas Felzmann’s Installation of media, sculptural objects, mural photographs, and projections identifies, concentrates, and in fact, relies upon the landscape as a metaphorical place. Landscape becomes a symbol Continue reading →
Waters In Between Introduction
The photographs in Ghostpile were made in the Sacramento Valley. This is the northern section of California’s Great Central Valley which includes the San Joaquin Valley in the south. The two valleys are joined by the Delta, where all rivers Continue reading →
Waters In Between Review
Limmattaler Zeitung, Interview with Lukas Felzmann Bettina Hamilton-Irvine
PDF-> Limmattaler Zeitung, Interview with Lukas Felzmann Bettina Hamilton-Irvine
Vögel im Sacramento-Tal
241-5 Lukas Felzmann Swarm, Neue Zürcher Zeitung, 9. Januar 2012 Vögel im Sacramento-Tal Fotografien von Lukas Felzmann Suzanne Kappeler · Als Besucher in den eleganten Räumen der Galerie Seminarerum fühlt man sich mittendrin in Continue reading →
The Calls of the Wild, by Terry Cohn Artweek Vol.24 1/21/93
Artweek, The Calls of the Wild, “Lukas Felzmann at Olga Dollar Gallery”, by Terri Cohn, January 21, 1993, Vol. 24. A fascination with flight is at least as ancient as recorded history. Throughout the ages, many peoples have drawn upon Continue reading →
Does Nature Play?, by Peter Pfrunder
Does Nature Play? Various are the roads of man. He who follows and compares them will see strange figures emerge, figures which seem to belong to that great cipher which we discern written everywhere, in wings, eggshells, clouds and snow, Continue reading →
Lukas Felzmann, by Anna Novakov, artpress, 225/June 1997
History, at the end of the 20th century, has become problematic, shrouded and inaccessible. Access to the stories of the past has become exceedingly difficult.What are we to do with the myriad of private and public narratives that are simultaneously Continue reading →